Ileana Hot Photo Stills in Shakti

Ileana Hot Photo Stills in Om Shakti Movie

Ileana latest new hot looking photos stills from Shakti telugu movie

Ileana Hot Photo Stills in Shakti

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Asin Promotes Ready Film At Provogue Store

Asin promotes Ready film at Provogue store

Asin Promotes Ready Film At Provogue Store

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Deiva Thirumagan - Tamil Movie Stills,Pics,Wallpaper Gallery

Deiva Thirumagan movie photos, Deiva Thirumagan movie picture, Deiva Thirumagan movie stills, Deiva Thirumagan latest photos, Deiva Thirumagan Tamil movie stills, Deiva Thirumagan Tamil movie latest stills, Deiva Thirumagan actress stills, Deiva Thirumagan actress hot stills , Deiva Thirumagan movie wallpapers, Deiva Thirumagan latest and new wallpapers.

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Gangaputrulu – Telugu Movie Review

‘Gangaputrulu’ is the second in trilogy by director Sunil Kumar Reddy.  In his first film ‘Sontha Vooru’, he concentrated on the elimination of villages under the pretext of development.  This time around, he is entering another neglected field of human activity – fishing in high seas.  He explains how the avaricious corporate fraternity exploits natural wealth of fishes and how it mints money through mechanized fishing, scuttling the lives of poor fisherman and throwing their peace of mind to the bottom of the sea.

In the first film, the director employed the artistic attributes of seasoned actors.  In this film, raw talents with new faces are given opportunities to act.  Some actors are from fisherman community itself.   Even though, there is freshness in acting, in some other cases, expressing human sentiments before a camera has been a monumental task for some of them.  For the leading pair, this is a maiden venture.

Whatever may be, the content and the style of the movie amends for some of the negative aspects and shortfalls.  It transports the audience to the long coastline of Andhra Pradesh and displays the lives of the fisher folk living with their pains and pleasures.   The moviegoers, in anticipation of a good narration, get what they want.  The director has taken special care not to mix the earlier film with the present one.

Some critics may say that it is an art movie meant for film festivals.  But, this film possesses all the ingredients of a commercial venture-with songs, dance and music interspersed with human sentiments-love, desire and anxiety.  For fishermen, ownership of a boat is the ultimate ambition to earn respect among women and the members of community.  Their life is filled with pride, pang, destiny and dilemma.

The entire film is shot along the sandy shores of Visakhapatnam.  It looks long and impressive.  These fisherfolks are leading their life with whatever tiny catches they get from the sea – sometimes sufficient some times short of filling their stomach.  Their agonies are mounting towards a pinnacle due to the vagaries of weather and are further complicated by the monetary lust of the moneyed conglomerates.

What makes an impact on the hearts of the viewers is that the fishermen are not ready to part with the blue waves and are ready to live and die by the shores where they were brought up from the childhood days. The film is germane for critical acclamation due to  its dialogues, lyrics, script, dance, music and photography.  It is a must-see film for those who value standard subjects.

Cast & Crew:

Banner: KBR Productions & Sravya Films

Cast: Subbaraju, Gayatri, L B Sriram, Rao Ramesh,Kallu Chidambaram,Tanmayi, Ramki, Mahesh and others

Direction: Sunil Kumar Reddy

Production: Y Ravindrababu & Kishori Basireddy

Music: Praveen Kumar

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Super – Telugu Movie Review

The first five minutes of Super shows India in a nut shell on how the foreigners have plundered our wealth, and even after Independence and partition how our citizens have failed to elevate the status of the country and instead have turned lackadaisical and corrupt. Suddenly the story turns futuristic and shows how Warangal will look like twenty years from now.

In 2030 at Warangal International Airport, the scene is idyllic, taxis run super fast, phirangis are pursuing a career..a post grad degree in Telugu literature, they work as house keeping and domestic staff in the homes of wealthy Indians, they beg on streets, value of Dollars dip like dirt and Edward Thackerey, a research journalist is stupefied at the achievement which was not possible in 65 years of freedom turning into reality all in 20 years.

That is just the prelude to the story, written, acted out and directed by Upendra who plays Subhash Chandra Gandhi, a multi-millionaire who returns to India from London after losing heart to Indira (Nayanthara). The lady falls for his charms, wealth and his love for everything Indian but curiously leaves him without consummating their marriage. While Indira is out to seek revenge on this Desh Bhakt, the modern Gandhi is confused, flummoxed at her outrageous behaviour.

He is equally crazy, doesn’t mind having the bill of the hotel room (from where she deserted him) escalate over twenty lakh rupees, keeps the jasmines fresh every day; he hopes to spend the ‘first night’ with Indira some day. The first one hour of the film is interesting, concept seems fresh and genuinely holds your attention but post interval when the content starts turning serious, the director takes care not to sound too preachy and runs a parallel drama that unravels the mystery behind Indira’s anger and angst.

A positive part about Super despite it’s complexity and eccentricity in content is, that Upendra has put in effort in his looks, dialogues, not only shows the conflicting point but also provides the solution to it, which seems utopian and also plausible. The film drags at certain points but is not unbearable like previous Upendra films. It is loud, grandiose and has many ingredients that could generate a commercial success.

Nayanthara charms her way to your hearts and it is Upendra’s show all the way. Not a bad watch at all.

Cast & Crew:

Banner: Rockline Productions

Cast: Upendra, Nayanthara, Tulip Joshi, Sadhu Kokila, Ali, Jeeva, Sudarshan, Shylasri, Nagendra Shah, Rockline Venkatesh, Swetha and others

Direction: Upendra

Production: Rockline Venkatesh

Music: V Harikrishna

Source: Cinegoer

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Thimmaraju – Telugu Movie Review

Thimmaraju’s release in theatres points out at two things. One, that comedians when they try to hog the entire show and screen space fail miserably and two, directors despite knowing this simple truth time and again venture out with half-baked scripts, waste the producers money and push back the career graph of the artistes.

Comedy King Ali is supposed to carry the film on his shoulders but what he does is trample it so much that it comes in handy as a decomposite in the place where the film has been shot. Even the beautiful forest is made to look artificial with coloured paper flowers stuck in respectable distance amongst the bushes.

The film has three dim-witted young men seeking a minister for a signal tower for cell phones to be installed in their village. They are aided by another not so intriguing mix of lesser known artistes who are in love, kidnapped and find themselves imprisoned in a forest with the same three men. Suddenly into the scene appears Thimmaraju who plays a not so kind host to these people, he has an ulterior motive in keeping them together.

The film is so insipid and boring, one wouldn’t want to know what the reason could be. Don’t ever make the mistake of sitting through the second half of the story, it neither gives the poor little comedians a chance to shine or justify their flawed, silly character. Not only does director Vemagiri exposes the spineless story he strips the character played by LB Sriram, Ali of any dignity.

The last one hour moves at a snail’s pace and never seems to develop. All that the characters do is bite into each other’s flesh like dogs, wear tribal costumes cool enough to be useful for a theme party and play, fight with spears and weapons, sticks that have funny shapes and sizes. In between all this one gets to see a slimy snake move in and out of a few boulders. There is a crazy scene in which Ali has an empty coke can tied to his girdle and finds a semblance of civilization, some connection to humanity when he spots a film magazine in which Ramcharan Tej is advertising for Coke.

Wonder where the director got the weird idea of charging cell phones on a tree and label it as humour. Avoid the film, and even the trailer, it is a criminal waste of time.

Cast & Crew:

Director: Vemagiri

Cast: Ali, Deepthi, L.B.Sriram, Chinna, M.S.Narayana, Suman Shetty

Producer: P Ratnam,  KSS Kumar

Music Director: Nandan Raj

Lyricst: Vemagiri

Source: Cinegoer

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Nithya Pellikoduku – Telugu Movie Review

This is one alarmingly tiring stuff, to watch a normal Posani Krishna Murali’s film, one needs an enduring body and mind but in this case the pain of the viewers is intense, immediate and palpable as the hero enacts the role of a lunatic. After a one night stand with Aishwarya (Gowri Pandit), Alapati Kalyan Babu (Posani) is getting ready to marry a girl of his sister-in-law’s choice and just when things are working out Aishwarya appears and discloses their secret. She does that everytime he hunts for a bride.

The reason..he doesn’t want to marry Aishwarya as she has lost her virginity to him before marriage and suspects she could be a slut. The revenge drama is carried out through out the film until the man repents, professes love and douses himself with a can of petrol on Aishwarya’s orders.

Just when he announces he is seventy percent burnt the lady’s eyes moisten and she flings a blanket over him and they roll over each other. If that is the story why does he act like a mad man? The director gives us no choice except to watch the entire film as he keeps the bits and pieces of suspense spread over evenly. That shouldn’t be mistaken as a smart handling of the narrative as there are more scenes that are sleazy, dialogues – perverse and monologues by the hero a clear indication of self indulgence.

While he seems to be in love with his voice the rest of the characters get very few lines to retort but many expressions as an outlet. Characters which are not closely related to the plot come up with preposterous lines, example a lady who is being harassed by her husband is knocked down by a vehicle and her cousin Sivaji Raja helps her regain consciousness. She cries over his shoulder and he gets carried away and reprimands her husband, “Mee Pavaniki koorchune kurcheeni avutha, prayaninche bus avutha, needanicche chettunavutha.”

A ageing Posani addresses an equally old heroine’s parents as aunty and uncle, Nithya Pellikoduku is designed for audiences who freak out on psychotic behaviour, titillating scenes and profane language. A single point from Emaindi Evela has been lifted to make an entire story but as you go through the entire narrative, you don’t miss noticing two things, Gowri Pandit’s slim figure and neat acting and the director’s magnanimity in deciding when to end the film.

Cast & Crew:

Director: Alahari

Cast: Posani Krishna Murali, Gowri Pandit, Apoorva, Raghunath Reddy, Prithvi, Kishore Das, Kalpana

Producer: GV Subbayya

Music Director: Ghantadi Krishna

Source: Cinegoer

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